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Life Sentence / Mark Bowden. - [miejsce nieznane] : Grove Press UK : Legimi, 2023.
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Sandtown is one of the deadliest neighbourhoods in the world; it earned Baltimore its nickname Bodymore, Murderland, and was made notorious by 'The Wire.' Drug deals dominate street corners and ruthless, casual violence abounds. Montana Barronette grew up in the centre of it all. The leader of the gang 'Trained to Go,' or TTG, when he was finally arrested, he had been nicknamed 'Baltimore's Number One Trigger Puller.' Under Tana's reign, TTG dominated Sandtown. When a string of murders were linked to TTG, each with dozens of witnesses too intimidated to testify, three detectives set out to put Tana in prison for life. For them, this was never about drugs: It was about serial murder. Acclaimed journalist Mark Bowden, who spent his youth in the white suburbs of Baltimore, returns to the city with exclusive access to the FBI files and unprecedented insight into one of the city's deadliest gangs and its notorious leader. As he traces the rise and fall of TTG, Bowden uses wiretaps, police interviews, trial transcripts and his own ongoing conversations with Tana's family and community to create the most in-depth account of an inner-city gang ever written. With his signature precision and propulsive narrative, Mark Bowden positions Tana - as a boy, a gang leader, a killer, and now a prisoner - in the context of Baltimore and America, illuminating his path for what it really was: a life sentence.
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The Steal / Mark Bowden. - [miejsce nieznane] : Grove Press UK : Legimi, 2022.
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In the sixty-four days between November 3 and January 6, President Donald Trump and his allies fought to reverse the outcome of the vote. Focusing on six states - Arizona, Georgia, Michigan, Nevada, Pennsylvania and Wisconsin - Trump's supporters claimed widespread voter fraud. Caught up in this effort were scores of activists, lawyers, judges and state and local officials, among them Rohn Bishop, enthusiastic chairman of the Fond Du Lac, Wisconsin, Republican Party, who would be branded a traitor for refusing to say his state's election was tainted, and Ruby Freeman, a part-time ballot counter in Atlanta who found herself accused of being a 'professional vote scammer' by the President. Working with a team of researchers and reporters, Mark Bowden and Matthew Teague uncover never-before-told accounts from the election officials fighting to do their jobs amid outlandish claims and threats to themselves, their colleagues and their families. The Steal is an engaging, in-depth report on what happened during those crucial nine weeks and a portrait of the heroic individuals who did their duty and stood firm against the unprecedented, sustained attack on the US election system and ensured that every legal vote was counted and the will of the people prevailed.
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Vogue's Best Books of the Year, 2018 Sunday Times' Best Memoirs of the Year, 2018 A New York Times Book of the Year New Yorker Book of the Year A frank, smart and captivating memoir by the daughter of Apple founder Steve Jobs. Born on a farm and named in a field by her parents - artist Chrisann Brennan and Steve Jobs - Lisa Brennan-Jobs's childhood unfolded in a rapidly changing Silicon Valley. When she was young, Lisa's father was a mythical figure who was rarely present in her life. As she grew older, her father took an interest in her, ushering her into a new world of mansions, holidays and private schools. His attention was thrilling, but he could also be cold, critical and unpredictable. When her relationship with her mother grew strained in high school, Lisa decided to move in with her father, hoping he'd become the parent she'd always wanted him to be. Small Fry is Lisa Brennan-Jobs's poignant story of a childhood spent between two imperfect but extraordinary homes. Scrappy, wise and funny, young Lisa is an unforgettable guide through her parents' fascinating and disparate worlds. Part portrait of a complex family, part love letter to California in the seventies and eighties, Small Fry is an enthralling book by an insightful new literary voice.
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A MOST ANTICIPATED BOOK OF 2025 IN THEINDEPENDENT, GQ, NEW STATESMAN, FINANCIAL TIMES AND BBC CULTURE 'Graydon Carter is a brilliant raconteur of his own life...it's a real yarn of a lost world' Marina Hyde, The Rest is Entertainment When the Going Was Good is Graydon Carter's lively recounting of how he made his mark as one of society's most talented editors and shapers of culture. Carter arrived in New York from Canada with little more than a suitcase, a failed literary magazine in his past and a keen sense of ambition. He landed a job at Time, went on to work at Life, co-founded Spy magazine and edited The New York Observer before catching the eye of Condé Nast chairman Si Newhouse, who tapped him to run Vanity Fair. With his inimitable voice and raconteur's quip, Carter brings readers inside the drawing rooms of the great and not-always-good of America, Britain and Europe. He assembled one of the best-ever stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure that Vanity Fair during his 25-year run cemented its place as the epicentre of art, culture, business and politics. Charming, candid and brimming with humour, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.
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My Nemesis / Charmaine Craig. - [miejsce nieznane] : Grove Press UK : Legimi, 2023.
Tessa is a successful writer who develops a friendship, first by correspondence and then in person, with Charlie, a ruggedly handsome philosopher and scholar. Sparks fly as they exchange ideas about Camus and masculine desire, and their intellectual connection promises more - but there are obstacles to this burgeoning relationship. While Tessa's husband Milton enjoys Charlie's company, Charlie's wife Wah is a different case, and she proves to be both adversary and conundrum to Tessa. Wah's traditional femininity and subservience to her husband strike Tessa as weaknesses, and she scoffs at the sacrifices Wah makes as adoptive mother to a Burmese girl, Htet. But Wah has a kind of power too, especially over Charlie, and the conflict between the two women leads to Tessa's martini-fueled declaration that Wah is 'an insult to womankind.' As Tessa is forced to deal with the consequences of her outburst, she wonders if Wah is really as weak as she has seemed, or if she might have a different kind of strength altogether. An exercise in empathy, an exploration of betrayal and a charged story of the thrill of a shared connection - and the perils of feminine rivalry - My Nemesis is a brilliantly dramatic and captivating story from a hugely talented writer.
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THE INSTANT NEW YORK TIMES BESTSELLER 'Wise, funny and generous' The Times 'Warm and perceptive' New York Times 'So honest and funny and smart' Observer 'Griffin Dunne knows how to tell a story' Washington Post 'Dunne is a prospector for the incandescent detail' Los Angeles Times 'Full of light, life and colour...a startling tale of precarious American privilege, spotlighting a family that is blessed and cursed' Guardian At eight, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion's legendary LA launch party for Tom Wolfe's The Electric Kool-Aid Acid Test. In his early twenties, he shared a Manhattan apartment with his best friend and soulmate Carrie Fisher while she was filming some sci-fi movie called Star Wars and he was a struggling actor selling popcorn at Radio City Music Hall. A few years later, he produced and starred in the now-iconic film After Hours, directed by Martin Scorsese. In the midst of it all, Griffin's twenty-two-year-old sister, Dominique, a rising star in Hollywood, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne's career as a bestselling author of true crime narratives. And yet, for all its boldface cast of characters and jaw-dropping scenes, The Friday Afternoon Club is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its loveable, infuriating, funny and moving characters - its author most of all.
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We called him a devil and quarantined him behind such labels as 'the most dangerous man alive.' But Charles Manson remains a shocking reminder of our own humanity gone awry. This astonishing book lays bare the life and the mind of a man whose acts left us horrified. His story provides an enormous amount of information about his life and how it led to the Tate-LaBianca murders, and reminds us of the complexity of the human condition. Born in the middle of the Depression to an unmarried fifteen-year-old, Manson lived through a bewildering succession of changing homes and substitute parents, until his mother finally asked the state authorities to assume his care when he was twelve. Regimented and often brutalized in juvenile homes, Manson became immersed in a life of petty theft, pimping, jail terms and court appearances that culminated in seven years of prison. Released in 1967, he suddenly found himself in the world of hippies and flower children, a world that not only accepted him, but even glorified his anti-establishment values. It was a combination that led, for reasons only Charles Manson can fully explain, to tragedy. Manson's story, distilled from seven years of interviews and examinations of his correspondence, provides sobering insight into the making of a criminal mind, and a fascinating picture of the last years of the sixties. No one who wants to understand that time, and the man who helped to bring it to a horrifying conclusion, can miss reading this book.
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Barnes & Noble's April Book Club Pick An Amazon Top 10 Editors' Pick A Most Anticipated Book of 2024 from Literary Hub Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved musician taking to Lake Superior in search of his departed, deeply beloved bookselling wife. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure and a lawless society. Amid the Gulliver-like challenges of life at sea, Rainy is lifted by physical beauty, surprising humour, generous strangers and an unexpected companion in a young girl who comes aboard. As his essentially guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake. A rollicking narrative in the most evocative of settings, I Cheerfully Refuse is a symphony against despair and a rallying cry for the future.
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LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION ONE OF THE NEW YORK TIMES' BEST BOOKS OF 2023 ONE OF THE ECONOMIST'S BEST BOOKS OF 2023 ONE OF THE NEW YORKER'S BEST BOOKS OF 2023 ONE OF BARACK OBAMA'S BEST BOOKS OF 2023 TIME MAGAZINE'S #1 NONFICTION BOOK OF THE YEAR 'A journalistic masterpiece' David Remnick, New Yorker My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don't wait very long. Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista's meticulously reported and deeply human chronicle of the Philippines' drug war. For six years, Evangelista chronicled the killings carried out by police and vigilantes in the name of Duterte's war on drugs - a war that has led to the slaughter of thousands - immersing herself in the world of killers and survivors and capturing the atmosphere of fear created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante whose words seemed to reflect the psychological accommodation that most of the country had made: 'I'm really not a bad guy,' he said. 'I'm not all bad. Some people need killing.' A profound act of witness and a tour de force of literary journalism, Some People Need Killing is also a brilliant dissection of the grammar of violence and an important investigation of the human impulses to dominate and resist.
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'Impressive... The work of a writer with real talent' GUARDIAN The acceleration of Earth's spin begins gradually. At first, days are just a few seconds shorter than normal. Awareness of the mysterious phenomenon hasn't reached Tanner, a young man who flees his Alaskan hometown to work at CWC, a corporation which runs a network of massive aircraft that orbit the Earth, allowing people to visit Paris for an evening or order sushi from Japan. But a wave of social unrest presents challenges for CWC. That unrest sweeps up Winnie. A high school outcast, she falls in with a group of teen activists who blame the company for the planet's acceleration. As days on Earth quicken to twenty-three hours, then twenty, the sun rising and setting ever faster, causing violent storms and political meltdowns, Tanner and Winnie's stories spiral closer together. Three-hour days. Two-hour days . . . A propulsive exploration of capitalism, technology, and our place within a system that dwarfs us, Circular Motion is one of the most ingenious debut novels of our time.
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The sixth volume in the series that has been hailed by NPR, O Magazine and Vogue, Freeman's: California features stunning new work from a broad selection of writers, revealing everything that is important and fascinating about America's most populous state. In Freeman's: California, Lauren Markham describes how four generations of her family have lived in and tried to manipulate the water in one of the driest parts of the state and how water and land means everything. Rabih Alameddine recounts becoming a bartender in the mid-1980s as his friends began to die of AIDS. Rachel Kushner reminisces on all the amazing cars she's owned and their peculiar, vivid personalities. Natalie Diaz narrates the process of making her body into a professional basketball player, and how that assembly stalled some of the internal vulnerabilities she'd felt as a gay native woman growing up in California. And Elaine Castillo visits her brother in prison. Amid the raging the forest fires plaguing California, William T. Vollmann drives to the Carr fire and sees how fire has become the new state of normality for California. And Jaime Cortez riffs on pulling over at a rest-stop and smelling the fires of Paradise burning. Meanwhile home is in transition as Karen Tei Yamashita recalls a Japanese-American who goes to Japan after the dropping of the bomb, writing back and forth. Reyna Grande explores how her mother fell out of society and became a woman who collects recycling, while she and her siblings have become model immigrants. Also featuring a haunting ghost story from Oscar Villalon, bold new fiction from Tommy Orange, and stunning poems from Mai Der Vang, Juan Felipe Herrera, Maggie Millner and more, Freeman's: California assembles a diverse list of brilliant writers.
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Over the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion. For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem 'Amenorrhea' Julia Alverez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story 'Fatu' confronts the end of a relationship under the spectre of new life, other writers look towards aging as an opportunity for rebirth, such as Honorée Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story 'Everyone at Dinner Has a Max Von Sydow Story,' Dave Eggers suggests that sometimes stories don't have neat or clean endings - that sometimes the middle is enough. With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear and promise.
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The third literary anthology in the series that has been called 'ambitious' (O Magazine) and 'strikingly international' (Boston Globe), Freeman's: Home, continues to push boundaries in diversity and scope, with stunning new pieces from emerging writers and literary luminaries alike. As the refugee crisis continues to convulse whole swathes of the world and there are daily updates about the rise of homelessness in different parts of America, the idea and meaning of home is at the forefront of many people's minds. Viet Thanh Nguyen harks to an earlier age of displacement with a haunting piece of fiction about the middle passage made by those fleeing Vietnam after the war. Rabih Alameddine brings us back to the present, as he leaves his mother's Beirut apartment to connect with Syrian refugees who are building a semblance of normalcy, and even beauty, in the face of so much loss. Home can be a complicated place to claim, because of race - the everyday reality of which Danez Smith explores in a poem about a chance encounter at a bus stop - or because of other types of fraught history. In 'Vacationland,' Kerri Arsenault returns to her birthplace of Mexico, Maine, a paper mill boomtown turned ghost town, while Xiaolu Guo reflects on her childhood in a remote Chinese fishing village with grandparents who married across a cultural divide. Many readers and writers turn to literature to find a home: Leila Aboulela tells a story of obsession with a favourite author. Also including Thom Jones, Emily Raboteau, Rawi Hage, Barry Lopez, Herta Müller, Amira Hass, and more - writers from around the world lend their voices to the theme and what it means to build, leave, return to, lose, and love a home.
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The Louvre / James Gardner. - [miejsce nieznane] : Grove Press UK : Legimi, 2020.
Almost nine million people from all over the world flock to the Louvre in Paris every year to see its incomparable art collection. Yet few, if any, are aware of the remarkable history of that location and of the buildings themselves, and how they chronicle the history of Paris itself-a fascinating story that historian James Gardner elegantly tells for the first time. Before the Louvre was a museum, it was a palace, and before that a fortress. But much earlier still, it was a place called le Louvre for reasons unknown. People had inhabited that spot for more than 6,000 years before King Philippe Auguste of France constructed a fortress there in 1191 to protect against English soldiers stationed in Normandy. Two centuries later, Charles V converted the fortress to one of his numerous royal palaces. After Louis XIV moved the royal residence to Versailles in 1682, the Louvre inherited the royal art collection, which then included the Mona Lisa, given to Francis by Leonardo da Vinci; just over a century later, during the French Revolution, the National Assembly established the Louvre as a museum to display the nation's treasures. Subsequent leaders of France, from Napoleon to Napoleon III to Francois Mitterand, put their stamp on the museum, expanding it into the extraordinary institution it has become. With expert detail and keen admiration, James Gardner links the Louvre's past to its glorious present, and vibrantly portrays how it has been a witness to French history - through the Napoleonic era, the Commune, two World Wars, to this day - and home to a legendary collection whose diverse origins and back stories create a spectacular narrative that rivals the building's legendary stature.
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El Norte / Carrie Gibson. - [miejsce nieznane] : Grove Press UK : Legimi, 2019.
For reasons of language and history, the United States has prized its Anglo heritage above all others. However, as Carrie Gibson explains with great depth and clarity in El Norte, America has much older Spanish roots - ones that have long been unacknowledged or marginalized. The Hispanic past of the United States predates the arrival of the Pilgrims by a century and has been every bit as important in shaping the nation. El Norte chronicles the sweeping and dramatic history of Hispanic North America from the arrival of the Spanish to the present - from Ponce de Leon's initial landing in Florida in 1513 to Spanish control of the vast Louisiana territory in 1762 to the Mexican-American War in 1846 and up to the more recent tragedy of post-hurricane Puerto Rico and the ongoing border acrimony with Mexico. Interwoven in this stirring narrative of events and people are cultural issues that have been there from the start and remain unresolved: language, belonging, community, race and nationality. Seeing them play out over centuries provides vital perspective at a time when it is urgently needed. In 1883, Walt Whitman wrote 'to that composite American identity of the future, Spanish character will supply some of the most needed parts.' That future is here, and El Norte, an emotive and eventful history in its own right, will have a powerful impact on our perception of the United States.
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'Full of rebellious comedy and vitality... Goldman's autobiographical immersion answers the urgent cry of memory... [He] is a natural storyteller - funny, intimate, sarcastic, all-noticing.' James Wood, New Yorker Francisco Goldman's first novel since his acclaimed, nationally bestselling Say Her Name (winner of the Prix Femina étranger), Monkey Boy is a sweeping story about the impact of divided identity - whether Jewish/Catholic, white/brown, native/expat - and one misfit's quest to heal his damaged past and find love. Our narrator, Francisco Goldberg, an American writer, has been living in Mexico when, because of a threat provoked by his journalism, he flees to New York City, hoping to start afresh. His last relationship ended devastatingly five years before, and he may now finally be on the cusp of a new love with a young Mexican woman he meets in Brooklyn. But Francisco is soon beckoned back to his childhood home outside Boston by a high school girlfriend who witnessed his youthful humiliations, and to visit his Guatemalan mother, Yolanda, whose intermittent lucidity unearths forgotten pockets of the past. On this five-day trip, the spectre of Frank's recently deceased father, Bert, an immigrant from Ukraine - pathologically abusive, yet also at times infuriatingly endearing - as well as the dramatic Guatemalan woman who helped raise him, and the high school bullies who called him 'monkey boy,' all loom. Told in an intimate, irresistibly funny and passionate voice, this extraordinary portrait of family and growing up 'halfie' unearths the hidden cruelties in a predominantly white, working-class Boston suburb where Francisco came of age, and explores the pressures of living between worlds all his life. Monkey Boy is a new masterpiece of fiction from one of the most important American voices in the last forty years.
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In the new mystery in the bestselling Richard Jury series, Martha Grimes brings London's finest on a double-homicide case that involves Kenyan art, rare gems, astrophysics and a long-fermented act of revenge. 'Read any one [of her novels] and you'll want to read them all.' - Chicago Tribune Robbie Parsons is one of London's finest, a black cab driver who knows every street, every theatre, every landmark in the city by heart. In his backseat is a man with a gun in his hand - a man who shot Robbie's previous pair of customers point-blank in front of the Artemis Club, a rarefied art gallery-cum-casino, then jumped in and ordered Parsons to drive. As the killer eventually escapes to Nairobi with ten-year-old Patty Haigh - one of a crew of stray kids who serve as the cabbies' eyes and ears at Heathrow and Waterloo - in pursuit, superintendent Richard Jury comes across the double-homicide in the Saturday paper. Two days previously, Jury had met and instantly connected with one of the victims, a professor of astrophysics at Columbia and an expert gambler. Jury considers the murder a personal affront and is soon contending with a case that takes unexpected turns into Tanzanian gem mines, a closed casino in Reno, and a pub that only London's black cabbies, those who have 'the knowledge,' can find.
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When the body of a Frenchwoman washes up on a wild inlet off the Cornish coast, Brian Macalvie, divisional commander with the Devon-Cornwall police, is called in. With the only visible footprints belonging to the two girls who found her, who could have killed this mysterious tourist? While Macalvie stands stumped in the Isles of Scilly, Inspector Richard Jury - twenty miles away on Land's End - is at the Old Success pub, sharing a drink with the legendary former CID detective Tom Brownell, a man renowned for solving every case he undertook. Except one. In the weeks following the unexplained death of the tourist, two other murders are called in to Macalvie and Jury's teams: first, a man is found dead on a Northamptonshire estate, then a cleaner turns up murdered at Exeter Cathedral. When Macalvie and Jury decide to consult Brownell, the retired detective insists that the three murders, though very different in execution, are connected. As the trio set out to solve this puzzle, Jury and Macalvie hope that this doesn't turn out to be Brownell's second ever miss. Written with Grimes's signature wit, sly plotting, and gloriously offbeat characters, The Old Success is prime fare from 'one of the most fascinating mystery writers today' (Houston Chronicle).
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Having moved his family from England to Detroit and opened a car dealership, ex-rally driver Spencer Burnham's life was derailed by the death of his beloved wife. Now disconnected from his young daughter and losing control of the cocktail of drugs and alcohol that gets him through the day, he only just keeps Child Protective Services at bay while his business teeters on the edge of bankruptcy. Then he has a seemingly chance encounter with a charismatic but lethal gangster, Dominic McGrath. Feeling the squeeze from informants, the rise of tech surveillance and a hotshot detective who's made busting him a personal crusade, McGrath's been planning a last heist that would allow a comfortable retirement, provided he can find a very special type of driver - one who's capable, trustworthy . . . and naïve. Spencer quickly proves himself behind the wheel, with his innate sense of timing and precise, high-speed manoeuvres. And McGrath even pays cash, lots of it. But it comes at a price; Spencer finds himself playing in an arena where rookies don't last long. Wising up to the ruthlessness behind McGrath's charming façade, he tries to break free, but McGrath has too much invested to allow him to leave. As the city swelters in a heat wave, the two men apply their considerable talents to besting each other, while mistakenly assuming they have only each other to beat.
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'Both witty and gripping, this is ultra-sleek storytelling, with two delightful investigators' Daily Mail When Corie Geller asked her parents to move from their apartment into the suburban McMansion she shares with her husband and teenage daughter, she assumed they'd fit right in with the placid life she'd opted for when she left the FBI. But then her retired NYPD detective father gets a call from academic April Brown - one of the victims of a case he was never able to solve. When April was five, she emerged unscathed from the arson that killed her parents. Now, two decades later, someone has made an attempt on her life. It takes only a nanosecond for Corie and her dad to launch a full-fledged investigation. If they don't move fast, whoever attacked April is sure to strike again. But while her late father, Seymour Brown, was the go-to money launderer for the Russian mob, April Brown has no enemies. Well-liked by her students, admired by her colleagues, who would want her dead now? And who set that horrific fire, all those years ago? The stakes have never been higher. Yet as Corie and her dad are realizing, they still live for the chase. Savvy and surprising, witty and gripping, Bad, Bad Seymour Brown is another standout hit from the beloved Susan Isaacs.
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